The journey of Valar Huginn Saraven, the architect behind the Saga of the Silver Blade, began not in a quiet study, but in the chaotic camaraderie of late-80s Dungeons & Dragons campaigns. For years, the goal was simply to chronicle the shared adventures of friends, a sprawling collection of characters and quests. The nascent idea for a unified story took shape in the late 90s, but it was a friendly suggestion in 2007 to leave the familiar maps of D&D behind and build a unique world that truly planted the seed for the universe of Aithyris. What followed was a decades-long, epic quest against a dragon made of disorganized notes. The path was marked by ambitious outlines, daring NaNoWriMo campaigns, and long periods of hiatus where the sheer scale of the project seemed insurmountable. This sprawling, multi-generational tale of gods and mortals demanded an almost obsessive level of internal consistency. In the process of trying to make the world logically sound, a funny thing happened: the world-builder accidentally became a philosopher. The effort to map the intricate connections between families, political factions, and cosmic events led to a deeper exploration of how systems work. This philosophical deep-dive, fueled by a lifelong passion for science fiction and a cognitive style that instinctively seeks out patterns, eventually coalesced into a unique framework: Harmonism, and subsequent founding of the 501(c)(3) non-profit Twilight Foundation. It began as a tool to make the Saga work, but grew into a comprehensive worldview that values diversity, empathy, and the beautiful complexity of different perspectives playing in concert. Today, the Storyteller and the philosopher are one and the same. Val's work is the product of a journey that has been equal parts creative explosion and profound self-doubt, always grounded by a wry sense of humor and a love for a good pun. The Saga of the Silver Blade is more than just an epic fantasy; it is the ultimate expression of Harmonism, a fully functional simulation of a universe built on the principle that every unique melody deserves to be part of the grand, cosmic harmony.
The Kill Bill series and Pulp Fiction: I adore these movies for their visceral exploration of justice and retribution. I love Tarantino's non-linear, inter-connected storytelling and highly stylized violence marked by careful, deliberate artistic choices. The Matrix and The Fifth Element: These films are part of a core set that provided foundational inspiration for my own world-building and philosophical inquiries into the nature of reality. Fight Club: I love how many layers hide the intelligent social commentary and critique, all told with a dark artistic style that pervades the film, especially the themes of letting go of control. Braveheart and Elizabeth: These two historically inspired films grounded me in the personal battles fought by reluctant leaders who become heroes and legends. My love of historical political drama began with these movies. Heretic: I have seen no better movie which displays the iterative and subjective nature of perception and reality. Those are themes which run deep through the Saga of the Silver Blade.
Battlestar Galactica (reboot) and Caprica: These shows really helped me crystalize my nascent interest in Artificial (General) Intelligence. Their exploration of digital afterlives inspired the earliest seed for my science fiction setting and series, Singularity. Black Sails and Vikings: I found in both of these amazing works of historical fiction more of the same gritty and complex lives of normal people caught in a tidal wave that tosses them into unimagined territory of war and politics, love and death. Both of these shows left a clear mark on my portrayal of the Saga of the Silver Blade. Dark and Severence: The intricate level of complex systems, moral ambiguity, a relentless search for truth, a profound journey of self-actualization, the closed loop, and the deconstruction of light and dark, good vs. evil—all of it informed and mirrored so much of my own philosophy and the structure of the Saga of the Silver Blade. Firefly: The crew of Serenity holds a special place in my heart for both the beautifully crafted ensemble storytelling and its unique world-building. Firefly was foundational for me, reflecting back to me the mixture of dry, deadpan humor I so love mixed with deeply real emotion. I strive for something similar with my writing. Satire from Stephen Colbert, John Oliver, The Daily Show, Seth Myers, and Saturday Night Live: I love these shows not just for entertainment, but as a smart form of social and political analysis, using humor to dissect and critique hypocrisy, political manipulation, and cultural absurdities.
J.R.R. Tolkien: I consider his work a model for epic fantasy and inspiration for my own iterations of his classically portrayed fantasy races. I chose as my own name one from deep within his works as a respectful gesture. Brandon Sanderson: I read a lot of Brandon Sanderson during the time the world of Aithyris began to coalesce into something tangible. I give him a lot of credit as an inspiration and critique from his realist advice on the fantasy genre. James S.A. Corey: The Expanse is probably the best science fiction series I've ever read. Their take on intraplanetary travel, careful world-building, and believable politics inspired the Saga in subtle ways, but my Singularity science fiction setting in much more profound ways. George R.R. Martin: Before I read Martin, I probably had no real concept of what a truly dark and gritty fantasy could be. He revealed a world I could become immersed in. He showed how the complex web of power and betrayal often leads nowhere except to the agony of too many people. The Saga of the Silver Blade owes a lot to him and the Song of Ice and Fire. I also drew a lot of inspiration from other contemporary authors, including by not limited to Patrick Rothfuss, Tad Williams, Andy Weir, Dan Simmons, Elizabeth Cunningham, and Namoi Novik. And of course, I would be remiss if I did not at least mention two classic authors whose works lay the deep foundation of many of the Saga's themes. Without Edgar Allen Poe or William Shakespeare, I believe I would never have been able to imagine weaving the kind of dark story I did, but I let it shine with the hope they never would.

